George Wallace made drawings in various media from his time as an art student in Bristol, (and indeed even earlier, though very few of these drawings survive), to the end of his life. Some of these were studies or preparatory drawings for paintings or prints, some were made as finished works, and there were also many self portrait drawings. Other drawings can be seen on the website here here
Study for print #58, Christ Walking in the Garden, 1971, ink
Preliminary drawing for Jacob Wrestling the Angel sculpture, c.1977, pencil and ink
Lazarus, pencil sketch
Preliminary drawing for St John & the Angel sculpture, c.1968, pen & ink
Preparatory drawing for print M222, Sunlit Window, pencil, 48.6 x 32 cm. —
collection: National Gallery of Ireland
Seated Woman, study for print #145, Breakfast, c.1995, ink and wash, 57 x 39 cm.
The Spirit is Willing but the Flesh is Weak, 1995, pen and wash, 31.5 x 22 cm. —
Collection: McMaster Museum of Art —
Image: © McMaster Museum of Art
Sunlit Morning, 1991, pen and wash drawing, 39.8 x 29 cm. —
Collection: McMaster Museum of Art —
Image: © McMaster Museum of Art
Early Afternoon, 1991, pen and wash drawing, 30 x 46.2 cm. —
Collection: McMaster Museum of Art —
Image: © McMaster Museum of Art
Preparatory drawing for print #126, The Turkish Bath, pencil —
collection: National Gallery of Ireland
Study for sculpture Man Releasing Eagles, c.1973, pencil
Study for sculpture Man Releasing Eagles, c.1973, ink and pencil
Study for sculpture Jacob Wrestling the Angel, c.1977, ink and wash
Study for Holocaust Memorial sculpture, 1965, ink
Peter and the Cock, 1956, watercolour sketch
Shouting Man, c.1955, ink, 35 x 25 cm.
Preparatory drawing for print #132, Garden City, Summer Squall, 1972, pencil & ink
Preparatory drawing for print #60, Munro, 1972, pencil —
collection: National Gallery of Ireland
Preparatory drawing for print #61, Hamilton in Summer, 1972, pencil —
collection: National Gallery of Ireland
Pub Gathering, Hamilton, c.1963, graphite
Preparatory drawing for print #87, Disused Clay Pit, 1983, ink and wash, 24.8 x 20.9 cm. —
collection: National Gallery of Ireland
Study for a painting, c.2002, charcoal, 94 x 56 cm.
Study for a painting, c.2002, charcoal, 76 x 56 cm.
Man's Head, 1998, pastel, 22 x 17 cm.
Large Man with Sunglasses, pastel, 42.5 x 57 cm.
Man's Head, pastel, 33.6 x 17.5 cm.
Woman's Head, pastel drawing, 47 x 35 cm.
Woman at a Party - detail, pastel, 36 x 40 cm.
Academic Procession, Stony Path, Windy Day, 1994, ink drawing with watercolour, 46 x 64 cm.
Preliminary drawing for print M244, Self Portrait in Striped Pyjamas, 1992, graphite and chalk, 40 x 18 cm.
Naked GBW, preliminary drawing for print M287, Old Man Dreaming, 1994, pencil, 76 x 29 cm.
Preparatory ink drawing for print #83, Weeping Woman, 1983, 39.9 x 27.9 cm. — collection: National Gallery of Ireland
Ghost of Oscar Wilde, 1991, pen & ink over monotype
Jonathan Swift, age 43 as he appears in Charles Jervas' painting in the National Portrait Gallery, pencil
Portrait of a Man, pencil, 39 x 28 cm.
Portrait of Peter Redpath, c.1990, pencil
Portrait of Peter Redpath, c.1990, pencil
Malcolm Ross-MacDonald at Woodbank, 1957, pencil
Portrait of Malcolm Ross-MacDonald, 1957, pencil
Portrait of Ken Slater, c.1994, pencil
Portrait of Ken Slater, c.1994, pencil
Self Portrait, c.1975, conte
Tramp,1972, ink drawing
Skull of a Cow, ink sketch, 41 x 46 cm.
Rock Face, pen & ink drawing
Pointe au Baril, 1964, pencil, 33 x 51 cm.
Pointe au Baril, 1964, pencil, 42 x 55 cm.
Beacon Hill Park, c.1988, pencil
Beacon Hill Park, pencil
Beacon Hill Park, 1990, pencil, 38 x 56 cm.
Beacon Hill Park, 1990, pencil, 38 x 56 cm.
Beacon Hill Park, 1989, pencil, 38 x 56 cm.
Beacon Hill Park, c.1988, pencil, 28 x 39.5cm.
Beacon Hill Park, 1988, ink, 39 x 58 cm.
St Austell Claypit, 1955, charcoal, 42 x 55.8 cm.
Landscape, ink wash & watercolour, 32.9 x 50.9 cm. — collection: National Gallery of Ireland
The Bed Sitter, 1952, conte & crayon, 30.5 x 19 cm. —
Collection: McMaster Museum of Art —
Image: © McMaster Museum of Art
Study for Woman in a Chair, 1956, charcoal
Study for Woman in a Chair, 1956, charcoal
Study for Woman in a Chair, 1956, charcoal
Margaret Wallace, 1949, pencil studies
Model, 1953, pencil, 30.7 x 12.7 cm.
Model, 1948, pencil
Model, 1947, pencil
Model, 1947, pencil, 25.8 x 14.5 cm.
Model, 1947, graphite
Model, 1947, graphite
Sketch of a Cadaver, 1948, ink
Preliminary drawing for print #165 The Fun Fair at Dun Laoghaire, pen & ink, 22.1 x 38 cm. —
collection: National Gallery of Ireland
Cemetery Gate, Falmouth, 1948, pencil, 18 x 27 cm.
Back Garden, Woodlane, Falmouth, c.1952, red ink, 23.5 x 48 cm.
Falmouth, The Penryn Bus, pencil & ink, 32.5 x 25.8 cm.
Fishing Harbour, Falmouth, c.1950, pencil, 16.5 x 29 cm.
Backs of Houses, Falmouth, c.1950, pencil and ink
Avoca Station Yard, c.1950, pencil drawing, 27.8 x 50.6 cm. —
collection: National Gallery of Ireland
Rocky Valley - The Ivy Entangled Tree, 1949, ink and watercolour wash, 23.8 x 14.5 cm. — private collection
Bray, 1948, pencil & ink, 10.8 x 17.7 cm. —
collection: National Gallery of Ireland
Dublin Bay from the Dalkey Quarries with Squatters Houses, 1948, pencil, 18 x 40 cm. — private collection
Study for a Painting, Bristol, 1947, pencil - 25 x 40 cm.
Bray, 1947, pencil drawing, 17.5 x 25.1 cm. —
collection: National Gallery of Ireland
Vico Road, Killiney, c.1940, coloured pencil, 38 x 28 cm.
